If Ghalib questioned life, Mir quietly endured it.
His verses breathe the fragrance of old Delhi lanes, of love found and lost in silence.
Mir didn’t dramatize heartbreak — he domesticated it.
He taught Urdu poetry how to cry without noise.
Each sher of his feels like dusk — not dark, not bright, just tender.
His melancholy isn’t despair; it’s dignity.
Mir reminds us that sorrow, when written beautifully, becomes grace.
He speaks softly, but his echoes linger long after the page ends.
To read Mir is to meet pain with respect.
He remains the poet of the heart — never hurried, never loud.
